Brands, retailers, wholesalers and designers build every category here in 925 sterling silver with AAA cubic zirconia or moissanite. Start from our design library at 25 pieces per style, or send your drawing for OEM and ODM from 100 pieces. 3D drawings in 1-3 days, samples in 7-15 days, bulk in 25-40.
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| Categories | Custom Silver Bangles |
| Brand | Hengdian Silver |
| Product Specifications | ZLYZGSZ374 |
| Material | 925 Sterling Silver |
| Stone | AAA Cubic Zirconia, square cut / Moissanite on request |
| Construction | Two slim arcs, twisted into each other twice |
| Centre Setting | Four petal claw seat holding one square stone |
| Closure | Open back with a sliding fit, no clasp |
| Strand Count | Double at the crossings, single at the back |
| Finish Options | Silver, gold, rose gold plating |
| Order Tier | 25 pcs library styles / 100 pcs bespoke |
| Business Model | ODM design library / OEM bespoke |
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A 925 silver bangle made from two slim arcs that twist into each other at the front and again at the back, with a four petal seat holding a single square stone at the centre of the front crossing.
The whole piece is two strands, not one. They run side by side, wind together at the front, wind together again at the back, and hold each other that way without solder showing at the crossing points.
The front crossing became the setting. Instead of bolting a separate mount onto a plain bangle, the two strands open into four claw petals that grip one square stone — the setting is the point where the strands meet, which is why it sits so low on the wrist.
Where the strands separate, they bow slightly apart before closing again. That bow is what gives the bangle its gap and its spring: the piece opens enough to pass over the hand, then settles back into its own shape.
The back is deliberately plainer than the front. The strands gather into a narrow waist with a carved texture, so the piece has a quiet side to wear against a desk or a sleeve and a bright side that faces out.
Two strands also solve a weight problem. A single bar wide enough to read as a statement bangle becomes heavy; two thin arcs read the same width from the front while carrying far less metal, so the piece stays comfortable through a full day.
The bangle is two slim arcs, not one bar. They wind into each other at the front and again at the back, and no solder line shows at either crossing.
Four claw petals open out of the two strands and close on one square stone, so the seat is the crossing itself rather than a mount added on top.
Two thin arcs cover the visual width of a solid bar while carrying a fraction of the metal, so the bangle holds its shape without dragging.
The rear crossing gathers into a carved waist that rests against the wrist, keeping the stone facing out and stopping the bangle from spinning.
These nine points move in one direction — the physical fact of the twist, the behaviour it produces on a wrist, and the commercial result that follows.
The bangle is formed from two slim arcs that wind into each other at the front and at the back. Between the two crossings they bow apart, which is what creates the opening and the spring.
At the front the two strands open into four claw petals holding one square stone. There is no separate mount sitting on top of a band — the seat is where the strands divide, so the stone settles into the piece rather than onto it.
The rear crossing gathers to a narrow waist with a texture cut into it. Seen from the back the bangle reads as a fine line with one detail, not as a second display face.
A single bar wide enough to look like a statement bangle carries the metal of a solid section. Two thin arcs cover the same visual width from the front at a fraction of that, so the piece does not drag or roll on the wrist.
Because the strands separate between the crossings, the bangle already has an opening to work with. It flexes over the hand and returns to shape, so the fit covers a span rather than one measured diameter.
The stone side is the outward face; the carved waist is what rests against a wrist. That split means the bangle can be worn to a desk all day without the setting catching on anything.
The buyer gets the presence of a wide bangle without the heft of one, which is the combination that decides whether a piece is worn daily or kept for occasions.
The built-in gap compresses several wrist sizes into one bangle, cutting both the size curve a buyer carries and the exchanges that follow a piece that will not clear the hand.
Two thin arcs sit flat against the wrist with no high profile, so the bangle layers beside a watch or a chain bracelet instead of riding over them.
| Item | Detail |
|---|---|
| Piece Name | 925 Sterling Silver Twisted Double Strand Bangle |
| Item Number | ZLYZGSZ374 |
| Material | 925 Sterling Silver, AAA Cubic Zirconia, square cut, moissanite on request |
| Strand Pattern | Double strand crossover with a four petal stone seat |
| How It Opens | Strands bow apart, slide over the hand, close back to shape |
| Crossing Points | Two, one at the front seat and one at the back waist |
| Centre Stone | One square cut stone in a four petal claw seat |
| Back Detail | Narrow waist with carved texture |
| Wear Position | Wrist, self-setting, no fastener |
| Plating Options | Silver, Gold, Rose Gold (plating options) |
| Function | Daily wear, gifting, layered with a watch |
| Minimum Run | 25 pcs on a library twist, 100 pcs on a new strand pattern |
| Your Starting Point | Take a library twist, or draw a new strand pattern |
| Business Type | OEM / ODM manufacturer, silver only |
| Customization | Strand gauge, crossing positions, seat size, stone shape, waist texture, plating; 24h rendering |
Sizes and weights are measured by hand; a reasonable margin of error is normal. Please refer to the actual product as final.
The Double strand crossover with a four petal stone seat seen on travertine and linen, stood upright against an acrylic column, and settled on a wrist.
A two strand bangle with one stone crosses the line between an everyday piece and a gifting piece, so it belongs in both assortments at once.
One square stone and a low setting keep the piece modest enough for daily wear while still reading as a gift, so a single design serves both shelves.
The two strands lie flat against the wrist with no high profile, so the bangle slips beside a watch case without riding over it.
Strand gauge, crossing positions and seat size are drawing changes inside one construction, which keeps a bespoke twist viable at modest quantities.
The eye lands on the square stone first, then works out that the lines holding it are the bangle itself. That second look is the whole design.
The strands twist at the front and again at the back, and bow apart in between. That geometry is the reason the bangle opens over the hand and closes back onto the wrist without a hinge.
Two arcs read as one broad sweep in a photograph and weigh a fraction of the solid bar that would produce the same silhouette — the difference between a piece bought and a piece worn.
Tell us the wrist span and the strand pattern, and we will come back with a quote, a rendering showing the two crossings and the seat to scale, and a sampling schedule. A library bangle is adapted from 25 pieces; a silhouette drawn for you starts at 100.
A twisted bangle is quoted on where the two crossings sit, not on a single diameter. The front crossing carries the stone and faces out; the back crossing sets how much the strands can bow apart and therefore how far the piece opens.
Move the back crossing closer to the front and the strands have more free length to bend, so the bangle opens wider but feels softer. Move it further back and the piece feels firmer but the opening shrinks. We mark both positions on the rendering so the trade is visible before a sample is cut.
Send the wrist span you are targeting and we will return the diameter, both crossing positions and the opening travel together, so the fit decision is made on paper.
The four petal seat is drawn around the stone, not chosen from a stock mount, because the petals are the ends of the two strands. Change the stone and the petals change with it.
A square stone is the version that works best here: its four corners give the four petals something to grip, and the straight edges let the strands arrive square rather than being bent around a curve. Round and cushion cuts are possible but need the petal tips shortened.
We set a sample stone in the finished seat before the run starts, because this is the one junction where a fraction of a millimetre shows as a gap between stone and claw.
The front of the bangle is polished to a mirror and the back waist is left with a cut texture. That difference is intentional — a fully polished back slides around the wrist all day, while the textured waist grips just enough to keep the stone facing out.
Getting that split right means masking the waist during polishing rather than texturing it afterwards, and the mask line has to follow the twist or it reads as a mistake.
Sampling covers the front crossing under raking light, because that is where a polished twist either shows a clean continuous line or shows the seam where the two strands were joined.
Strand thickness, the distance between the two crossings, seat size, stone shape, waist texture and plating colour can all change inside the same construction. Each one comes back as a rendering before tooling.
The seat can be re-cut for a different stone shape while the twist stays as it is, which is how one bangle becomes a short family without a new forming method.
On the ODM route you choose a twist from our library and change it — strand gauge, crossings, seat, stone, plating. Twenty-five pieces is the entry point per style, and the forming tools already exist, so sampling is quick.
On the OEM route the strand pattern itself is new. We take it from sketch to rendering to sample, and that route opens at one hundred pieces. Both routes are made on the same benches and pass the same final check.
Silver content is verified on the incoming ingot and again on the finished bangle. Every piece is sprung open and released by hand before packing, since a twist that has lost its temper will not return to shape and cannot be corrected afterwards.
Stone security at the four petals is checked one bangle at a time under magnification. Compliance follows the REACH and RoHS limits and the SGS scope we work to, and each batch is compared side by side with the signed-off sample.
Send the wrist span and the strand pattern you have in mind, and Hengdian Silver Jewelry will reply with a quote, a rendering marking both crossings and the seat, and a sampling schedule — twenty-five pieces on a library twist, one hundred on a new one.
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